While attentive to history, Epicene is not a revival typeface. It is an experiment in modernising Baroque letterforms without muzzling their ornamental idiosyncrasy nor falling into the trap of gender codifications.
Klim Type Foundry Rar
Reported by Typography.Guru, the new system fonts were licensed from type foundries including Commercial Type, Klim Type Foundry and Mark Simonson Studio. To view and install the optional fonts, follow these steps.
In the spring of 2016, we set out to expand the weight spectrum of the original Ogg typeface. Given the complexities of the italic, with its extreme 24 italic angle, correctly adding weight could only be accomplished by using our existing calligraphic model to determine the maximum possible pen nib width to x-height ratio.
In late 2017, we began the first prototypes of Ogg Text. Adapting the strange and irreverent Ogg (display) original into something useful for long-form reading was no small task. While its intricate details, interconnected letterforms, 24 italic angle, and swash italic capitals would prove to be difficult attributes to translate into text, there were many moments in the roman that were well suited to this adaptation. We also wanted to capture the beautiful hierarchy he achieved with his book jacket designs, where extravagant, high-contrast display titles would give way to beautifully legible sub-headers and captions.
Adapting the italic from the original display to text was a much more daunting task. The 24 italic angle of the display original was first brought to a more manageable 18, still a remarkably steep angle for a text typeface. After many months of wrestling with the 18 italic design, (pictured below) we eventually scrapped it in favor of a new Italic design.
The new Ogg superfamily is a bold type system that finds cohesion in wildly different forms and genres. The family tracks the progression of its designer, from his early days exploring the irreverent imperfectionism of the original display, to the unexpected functionality and studied execution of the text. The superfamily is an amalgam of disparate references and ideation, both an inventive homage to one of the great underappreciated lettering artists of the twentieth century, and a new take on calligraphic text typography.
TYPE DESIGN INFORMATION PAGE last updated onSun Feb 5 13:59:38 EST 2023 SEARCH THIS SITE: IMAGE SEARCH: FONT RECOGNITION VIA FONT MOOSELUC DEVROYEABOUTCorporate typefaces [The headline is set in Corporate E Bold, which was designed by Kurt Weidemann from 1985-1989 for Daimler Benz (Mercedes)]
Displaay is Martin Vacha's type foundry in Prague set up in 2014. Martin Vacha studied at the Academy of Arts, Architecture and Design in Prague. His early fonts were designed during his studies at UMPRUM in Prague. His typefaces: Greed (2020). A narrow sans (+variable font with a weight axis) originally commissioned by Anymade Studio for Polansky Gallery. Ofform (2019). A modular folded paper font by Marek Suchanek, Kristina Jandova and Martin Vacha that started out as a custom typeface for the fashion brand Ofform 3D. Dazzed (2019). Gellix BMM. Matter (2016-2017). A sans inspired by Akzidenz-Grotesk (1896, Berthold Type Foundry), Theinhardt (2009, François Rappo), Classic Grotesque (1926, Frank Hinman Pierpont), Neuzeit Grotesk (1928, Wilhelm Pischner), Helvetica (1957, Max Miedinger and Eduard Hoffmann), Unica (Team '77, Lineto), Plain (2013, François Rappo), Futura (1927, Paul Renner) and Avenir (1988, Adrian Frutiger). Matter Mono was added in 2021. Haffer (2021) is a cold version of Matter with strict horizontal or vertical terminals. Hellix (2011). A geometric sans with hipster elements. By 2020, he completed Fellix, Gellix, Hellix and Yellix. Natron (2012). A sans and its display companion, Natron Alt. Reckless (2012-2017). A text typeface inspired by Plantin and Times New Roman. Wallop (2013). A sans. Documan (2013). A rounded typeface that is part sans, part slab serif. In 2016, Marek Pistora and Martin Vacha published the technical, almost typewriter, sans typeface BC Sklonar at Briefcase Type: The Sklonar typeface was originally designed exclusively for Zdenek Sklenar's S Gallery's corporate identity, conceived by Studio Najbrt in 2011. Two years later however, the gallery, including several works of art, was destroyed in a gas explosion. During the time of its use, the typeface appeared in promotional materials, in exhibitions, and also in artistic publications. But first and foremost, it excellently complemented the clean gallery space created by architect Josef Pleskot.Roobert (2017). A bespoke typeface for Moogfest 2017 designed together with Anymade Studio. Roobert PX is a pixel font. Teodor (2019-2020). Martin writes: In Teodor you can find certain similarities with Romana (1892 Gustav F. Schroeder), Caslon 224 (1725 William Caslon and Edward Benguiat), Grouch (1970 Tom Carnase and Ronne Bonder) and Perpetua (1925 Eric Gill). It has a variable type option. Tobias (2019-2020), a transitional typeface with elements of Times, Times New Roman and Baskerville. Plus a variable font with a weight axis.
Emtype is the foundry in Barcelona that was founded in 1997 (in Buenos Aires) by Eduardo Manso. Eduardo was born in Buenos Aires in 1972 and studied graphic design at the Escuela de Artes Visuales Martín A. Malharro and at the Universidad Nacional de Mar del Plata, both in Mar del Plata. Art director of the Argentinian graphic design mag "el Huevo". He currently lives in Barcelona. His typefaces include the pixel font family Dixplay (2003, Emtype), the grunge font Eroxion (1997) and Rina Linea and Rina (2001), all at Bitstream, the Scotch roman text family Bohemia (2004), Andromeda ([T-26]), Garadonis, Fluxus, Ovalus (2005, free dot matrix face), Relato (2005, advertised as a muscular serif family), Relato Sans (2005, which won an award at TDC2 2006), Merss (2000, ITC), Argot (2004, winner of an award at TDC2 2004), Flour, and Flour Inline. Argot was renamed Bohemia (published in 2004 with Linotype), and won an award at the Linotype International Type Design Contest 2003. EMT Lorena won an award at TDC2 2007. He custom designed Sunday Times Modern (2008) for the Sunday Times. Still in 2008, he published Geogrotesque, a semimodular geometric display typeface in 7 styles. Geogrotesque won an award at Tipos Latinos 2010. This was followed in 2009 by Geogrotesque Stencil and in 2015 by Geogrotesque Stencil Italic, Geogrotesque Compressed, Geogrotesque Condensed, and Geogrotesque Extra Compressed. In 2016, he added Geogrotesque Slab, in 2018 Geogrotesque Cyrillic, in 2019 Geogrotesque Expanded and in 2020 Geogrotesque Sharp (98 styles, and a variable font). He created the custom typeface La Grilla. Periodico (Text, Display) was originally commissioned by the Spanish daily newspaper 'ABC', and was published as a 30-font family with lots of old Spanish ingredients in 2011. In 2012 the London agency GBH commissioned Emtype to develop a custom typeface for the Puma football teams for use in the Brazil World Cup 2014 as well as in the national competitions. Ciutadella (2012) was originally commissioned by Mario Eskenazi's studio. It is a versatile geometric sans serif, a simple, clean and direct family. In 2015, Emtype published Ciutadella Rounded and in 2016 Ciutadella Slab and Ciutadella Display. Typefaces from 2014: Shentox. This squarish nearly monoline typeface family started out from British license plates. Camber (2015) is a workhorse sans typeface, slightly squarish and on a geometric base. Eduardo's keen eye strikes again in the variable width grotesque typeface family Akkordeon (2017), whose black weight will give Impact serious competition. Akkordeon Slab
Advertising and design-bureau located in Stockholm, Sweden, est. 2011. As part of their business, they design principally custom and corporate typefaces. These include Vasakronan Serif (2019: design lead Isabelle Rudström-Österlund), AIK Display (2021, with a vintage feel), Karnov Display (2021, an angular lapidary typeface for Norstedts Juridik), Northvolt Grit (+Italic) (2021, for the Swedish battery maker), Ica Rubrik Black (2021), Vattenfall Bold (2021). Designers of the free sans font family Familjen Grotesk (2022, a multi-style inktrapped variable font family by Anders Wikstroem, Jonas Baeckman, Matilda Gysing and Kristian Moeller; Google Fonts).
Italian design studio run by Alessandro Tartaglia, graphic designer, strategist for FF3300, and professor at Politecnico of Bari. Mariarosaria Digregorio and Enzo Ruta are the creators in 2007 of the techno typeface FF3300 Type. FF3300 is also an independent and freely downloadable pdf magazine about graphic design, typography, architecture and design, illustration, photography, street art and writing. Tartaglia's typefaces include minimalist experimental types such as Valdrada (2007), Ipazia (2007) and Zoe (2007), as well as ISIA (custom-made for ISIA in Urbino; slabbed and slabless simple glyphs) and Handwriting (a commissioned grunge typeface for the Pollofriabile magazine in Rome). FF3300 created the Divenire typeface for the Italian Democratic Party. The weights are Divenire Roman, Divenire Italic and Divenire Mono (2012-2013).
Download Open Sans Font Family Free for commercial use Includes Open Sans Light, Regular, Semibold, Bold, Extrabold, Light-italic, Italic, Semibold-italic, Bold-italic, Extrabold-italic Open Sans is a humanist sans serif typeface designed by Steve Matteson, Type Director of Ascender Corp. This version contains the complete 897 charact 2ff7e9595c
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